Home
 
 
09 July 2009 @ 11:28 pm
Oh, Blackhawk, this is just sad  


The BLACKHAWK strip started in MILITARY COMICS (which changed to MODERN COMICS after the war), and UNCLE SAM became BLACKHAWK with the ninth issue (so there's no use looking for the first eight issues of BLACKHAWK, eh?). It was mostly a serious, downbeat, even pessismistic strip. Blackhawk himself was a former Polish pilot who organized a squad of volunteers from countries which had been overrun by the Nazi war machine. There was Hendrickson (Dutch), Stanislaus (a fellow Pole), Andre (French)and Olaf from Sweden. Chuck was an American, I don't know what he was doing there unless he just wanted to fight the Nazis and couldn't serve in US forces for some reason. Then there was Chop-Chop from China. He was the comic relief you saw with other Golden Age characters like Doiby Dickles, Woozy Winks, Ebony and Etta Candy and as such he was grotesque. The fact that he was Chinese makes his gruesome depiction racist, but he fits right in with the white sidekicks.

Anyway, the Blackhawk team fought Nazis and Japanese forces until the war ended. Then they switched to fighting Communism, and the stories hardly changed. Except for swastikas, the enemy wore red stars. Then as the Silver Age started, Blackhawk went from the defunct Quality group to be published by DC, which meant aliens, giant monsters, bizarre transformations over and over. By 1967, BLACKHAWK had cancellation hovering overhead and a last-ditch effort turned the grizzled veterans into garish costumed super-heroes.

Blackhawk himself remained Blackhawk, which made sense as he had always been a no-nonsense, single-minded slave driver from the first strip. Chuck became a communication expert called the Listener, and wore a jumpsuit decorated with little pink ears all over it. Yes. I couldn't make this stuff up. Olaf became the Leaper in a super-bouncy rubber suit that looked like the Michelin Man. Hendrickson and Andre became the Weapons Master and M'Sieu Machine, or something like that, using gadgetry. Chop-Chop wore metal gloves and was now Dr Hands. These all seemed like super-hero identities cooked up by the editor and writer over a quick lunch.

The only "new" Blackhawk that was halfway decent was Stan, who stripped the armor off a dead villain and put it on. (Ick, if you ask me. I hope that's not where he got all his clothes.) The Golden Centurion was obviously an imitation of Iron Man. Flight, enhanced strength, armored protection. Instead of energy blasts, though, the Golden Centurion sprayed his foes with a stream of liquid gold that hardened on them. Where was he getting all this gold? How much did it cost? You'd think Blackhawk would say, "Hey, Stan, spray these lead bricks for me, okay pal?"

Anyway, this phase didn't last long. In their final couple of issues, the team had their costumes and weaponry destroyed by a sneak attack. They went back to the dark blue military uniforms and fighting skills that had served them well for decades. The Blackhawks have been revived any number of times since then, sometimes in well-done stories and sometimes in trashy sleaze. But those issues of MILITARY COMICS and BLACKHAWK still exist, safely beyond the reach of meddling and revisionism.
 
 
( 4 comments — Post a new comment )
[info]terry_mccombs on July 11th, 2009 09:06 pm (UTC)
I recently ran into an odd bit of trivia, a few years ago at a comics con Chuck Cuidera, the creator of the Blackhawks, had a revelation it seems the Blackhawks were an imitation of another group, both appeared in the same issue of Military Comics but Death Patrol, a humor strip by Jack Cole, was done months earlier.

It seemed most of the strips being done for Military were turning out to be humor strips and the editor wanted something serious, and the Blue Tracer, about a super fast car he swiped from first appearing elsewhere, was not what he wanted for the cover, logically he wanted something military for the cover of Military Comics.

So he asked Cuidera to come up with something, but Chuck told him he had no ideas. “then do a serious version of this!” said the editor letting him see the as yet unpublished first Death Patrol story, which was about a rich guy going to fight in Europe on his own and 5 escape convicts (each a broad stereotype such as an Indian, old guy, Hottentot chief etc…) stowing away on his plane, lucky for him they happen to be able to fly so they steal some German planes and proceed to fight the war while still wearing their prison black & whites.

The Death Patrol ran until just a few issues after the title changed to Modern Comics and have never been heard from again, and while a humor strip, it was really kind of grim as by the end of the series run only two of the original were still alive, the other and most of their replacements all having been killed in one grisly manner or another.

And it was not long before Military and then Modern Comics, except for Blackhawk, was all humor!
[info]dr_hermes on July 11th, 2009 11:04 pm (UTC)
That is the sort of behind-the-scenes information I am always glad to learn about. Thanks for sharing it. I've seen one or two episodes of THE DEATH PATROL in Jack Cole retrospectives, although in black & white. It DID mix comedy and violence in that peculiar Golden Age way (something I also associate with Cole, come to think of it).
[info]julian_perez on July 15th, 2009 07:31 am (UTC)
Man, Blackhawk sure had a really awkward post-war phase, didn't they? Only John Rambo had greater trouble adjusting to civilian life. Then again, John Rambo didn't wear pajamas covered in ears.

Still, one of the great war comics, and my personal favorite, except for the very dark "Enemy Ace" strips in OUR MEN AT WAR.
[info]dr_hermes on July 16th, 2009 02:15 am (UTC)
I have greatly enjoyed the Blackhawk comics from the Golden Age that I've seen, but I guess the unfortunate way Chop-Chop was drawn and dialogued makes it unlikely we'll see more of those stories reprinted. Too bad. Even Will Eisner's SPIRIT has gotten resistance to being reprinted because of Ebony.

Those DC stories with Hans Von Hammer, "the Hammer of Hell," were excellent. Some of Joe Kubert's art was among the best ever created in comics. I haven't thought of that character in years, but now that you've reminded me, I wouldn't mind picking up an Archive of the ENEMY ACE stories.